Tuesday, September 04, 2007

Greg Brown


Greg Brown's mother played electric guitar, his grandfather played banjo, and his father was a Holy Roller preacher in the Hacklebarney section of Iowa, where the Gospel and music are a way of life. Brown's first professional singing job came at age 18 in New York City, running hootenannies (folksinger get-togethers) at the legendary Gerdes Folk City. After a year, Brown moved west to Los Angeles and Las Vegas, where he was a ghostwriter for Buck Ram, founder of the Platters. Tired of the fast-paced life, Brown traveled with a band for a few years, and even quit playing for a while before he moved back to Iowa and began writing songs and playing in midwestern clubs and coffeehouses.

Brown's songwriting has been lauded by many, and his songs have been performed by Willie Nelson, Carlos Santana, Michael Johnson, Shawn Colvin, and Mary Chapin Carpenter. He has also recorded more than a dozen albums, including his 1986 release, Songs of Innocence and of Experience, when he put aside his own songwriting to set poems of William Blake to music. One Big Town, recorded in 1989, earned Brown three and a half stars in Rolling Stone, chart-topping status in AAA and The Gavin Report's Americana rankings and Brown's first Indie Award from NAIRD (National Association of Independent Record Distributors). The Poet Game, his 1994 CD, received another Indie award from NAIRD. His critically acclaimed 1996 release, Further In, was a finalist for the same award. Rolling Stone's four-star review of Further In called Brown "a wickedly sharp observer of the human condition." 1997's Slant 6 Mind (Red House Records) earned Brown his second Grammy nomination.

Artist Web Page: http://www.gregbrown.org/

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Monday, September 03, 2007

Lucinda Williams



Lucinda Williams was born in Lake Charles, Louisiana, the daughter of poet and literature professor Miller Williams. Her father worked as a visiting professor in Mexico and Chile as well as different parts of the American South, before settling at the University of Arkansas. His daughter showed an affinity for music at an early age, and was playing guitar at 12. By her early 20s, Williams was playing publicly in Austin, Texas and Houston, Texas, concentrating on a folk-rock-country blend. She moved to Jackson, Mississippi, in 1978 to record her first album, for Smithsonian/Folkways Records. Titled Ramblin', it was a collection of country and blues covers. She followed it up in 1980 with Happy Woman Blues, which consisted of her own material. Neither album received much attention. In the 1980s Williams moved to Los Angeles, California (before finally settling in Nashville, TN), where -- performing both backed by a rock band and in acoustic settings -- she developed a following and a critical reputation. Nevertheless, it was not until 1988 that Rough Trade Records released the self-titled Lucinda Williams. The single "Changed the Locks", about a broken relationship, received radio play around the country and gained fans among music insiders, including Tom Petty, who would later cover the song.

Its follow-up, Sweet Old World (Chameleon, 1992), was a melancholy album dealing with themes of suicide and death. Williams's biggest success during the early '90s was as a songwriter. Mary Chapin Carpenter recorded a cover of "Passionate Kisses" (from Lucinda Williams) in 1992, and the song became a smash country hit for which Williams received the Grammy Award for Best Country Song in 1994. Williams had garnered considerable critical acclaim, but her commercial success was moderate. Emmylou Harris said of Williams, "She is an example of the best of what country at least says it is. But, for some reason, she's completely out of the loop. And I feel strongly that that's country music's loss." Williams also gained a reputation as a perfectionist and slow worker when it came to recording; six years would pass before her next album release, though she appeared as a guest on other artists' albums and contributed to several tribute compilations during this period.

Neko Case



Neko Case, born September 8, 1970 in Alexandria, Virginia, is an American singer-songwriter, best known for her solo career and as a member of The New Pornographers. Her music is frequently labeled alternative country, although Case doesn't care for that description. She recorded and toured for several years as Neko Case & Her Boyfriends before switching to her own name.

Case primarily writes her own material, but also performs and has recorded cover versions of songs by artists such as Loretta Lynn, Tom Waits, Buffy Sainte-Marie, Randy Newman, Bob Dylan, and Hank Williams. She frequently infuses humorous narratives into her live sets. She is protective of her artistic independence, combining punk's "do it yourself ethic," a strong business sense, and clear opinions about her artistic goals. She has spurned offers from major record labels because they don't offer her enough control of her music, remaining affiliated with Mint Records in Canada and Bloodshot and ANTI- in the U.S.

Giant Sand



Giant Sand, originally The Giant Sandworms, is an American rock band, based in Tucson, Arizona (although Los Angeles, California was its home for many years). Overseen by singer-songwriter-guitarist-pianist Howe Gelb, its membership has shifted over the years—at times with each album—though for a long while the drum and bass duties were handled by John Convertino and Joey Burns, who went on to form Calexico. Other members have included keyboardist Chris Cacavas (of Green on Red), bassist Paula Jean Brown (a late-period Go-Go, and married to Gelb at the time) and drummer Tom Larkins (afterward a Jonathan Richman sideman). Guest artists—though it is hard to tell at times where the band leaves off and the guests begin—have included Victoria Williams, Neko Case, Juliana Hatfield, PJ Harvey, Vic Chesnutt, Steve Wynn, Vicki Peterson, Rainer Ptacek, nearly all of Poi Dog Pondering and regular cameos from Gelb and Brown's daughter, Indiosa Patsy Jean.


Side projects, which are more extensions of than alternatives to Giant Sand, include the country-oriented The Band of Blacky Ranchette, OP8 (a collaboration with Lisa Germano), and Gelb's solo albums. Guests on Blacky Ranchette albums have included Lucinda Williams, Kurt Wagner (of Lambchop), Neko Case and Chan Marshall. Arizona Amp And Alternator (AAAA) is Gelb's newest project with a self-titled album. The homepage states that AAAA has no members. Just as the personnel shifts, so does the sound of the records, which—like those of one of Gelb's obvious models, Neil Young—range from barely audible acoustic fingerpicking to quasi-metallic electric guitar skronk, sometimes within the same song. There are also bursts of Thelonious Monk-inspired piano jazz (from Gelb), played with the ragged approach that characterizes most all of this work.